Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Dmitry Levitzky
E. N. Khruschova and Princess E. N. Khovanskaya.

ID: 59604

Dmitry Levitzky E. N. Khruschova and Princess E. N. Khovanskaya.
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Dmitry Levitzky E. N. Khruschova and Princess E. N. Khovanskaya.


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Dmitry Levitzky

1735-1822) was a Russian-Ukrainian portrait painter. Dmitry was born in Kiev, Ukraine, in a family of clergyman and engraver Grigory Levitzky. His father was his first art teacher. Later be became a pupil of Aleksey Antropov who came to Kiev to paint the Cathedral of St. Andrew. In 1770, Levitzky became famous as a portrait painter after the exhibition of six of his portraits in the Imperial Academy of Arts in St. Petersburg. For the portrait of Alexander Kokorinov, Director and First Rector of the Academy of Arts in St. Petersburg (1769) he was elected an academician and appointed the Professor of the portrait painting class at the Academy of Arts.  Related Paintings of Dmitry Levitzky :. | Ekaterina Nelidova, | Prokofiy Demidov. | Natalia Melgunova by Levitzky | Portrait of a student of the Empress School for Noble Maidens Ekaterina Ivanovna Nelidova | Yekaterina Romanovna Vorontsova Dashkova |
Related Artists:
Emile Van Marcke de Lummen
1827-1890 Emile van Marcke was born in S??vres - into a family of artists. His father was Jean-Baptiste (1797-1848), the eldest son of Charles van Marcke and a painter who specialized not only in landscape and animal paintings, but also works on porcelain.
Naqqash Sinan Bey
the period of 1465-1535
Johann anton ramboux
German, 1790 - 1866 German painter, draughtsman and museum curator. He was taught drawing by Jean-Henri Gilson (1741-1809), before he went to Paris for further training in the studio of Jacques-Louis David. In 1812 he returned to Trier, painting portraits until 1815, when he spent a year at the Akademie der Bildenden K?nste in Munich. In 1816 he went to Rome, where he was part of the Nazarene circle without becoming a member of the Lukasbr?der. Close association with these artists, notably Peter Cornelius, Carl Philipp Fohr and Julius Schnorr von Carolsfeld, had a more lasting influence on Ramboux's artistic development than his earlier studies with David






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